Tammy:Summary
Filmmakers when using the element of sin should be cautious of how sins portrayed can be naturally repelling or attractive to people. Sins that are naturally repelling are those that people already know are bad and could have great consequences. On the other hand, sins that are attractive are more tempting because it is creative and possibility have smaller consequences. Filmmakers should consider this when using the element of sin because it should not stiffen or instigate the audience in any way.Filmmakers also need to make a distinction between films for the mature audience and those for the young audience. Images and actions that are explicit should not be shown to young audiences at any costs, therefore filmmakers should consider the plots and themes they use in order to protect children. Establishing separate theaters for adult films would screen young children from films that have mature discussions and problem themes.In addition, films should not show any teaching of crime methods, inspire the audience to be criminals, or glorify criminals. Showing revenge as being justified, presenting drug trafficking, and featuring excessive liquor on film is not appropriate for the audience as well because they can have evil consequences.
Shawn: Agreements
In our group we discussed and agreed upon many of Hays codes. The first code Hays states is “Sin and evil enter into the story of human beings and hence in themselves are dramatic material”. People like to watch sinful movies because it makes it interesting and entertaining. Hays discusses the first and second class crimes. The first class come murder, most theft, many legal crimes, lying, hypocrisy, cruelty, etc. The second class come sex sins, sins, and crimes of apparent heroism, leadership in evil, organized crime, and revenge. For the first class, the audience knows it is wrong and is unattractive. While the second class, the audience knows it is wrong but it is attractive and tempting. This glorifies the movie. We all agreed about the third code: A careful distinction can be made between films intended for general distribution, and films intended for use in theatres restricted to a limited audience. Not all films should be shown to every one. Since the movie producers want to make it interesting, they expose scenes, such as gangsters and sins. These types of films should not be shown to children who do not fully understand right from wrong and the fact that it is not real. Films should be censored until the children have grown up and matured. This goes to the next code we agreed upon which is, “inspire potential criminals with a desire for imitation”. Many criminals look “cool” and their fans want to be them. This may cause people to imitate them which is not a good thing.The last code under “Crimes Against The Law” is the use of liquor. We agreed that the amount of liquor should shown in moderation and not excessively. Especially since during that time, liquor was prohibited. The actors do not present themselves as good role models if they are drinking a lot in the movie and acts drunk. It is not a good message to the audience. All of these codes we agree upon and think it was a good idea by Hays. This was conducted to help keep the people safe and maintain good morals.
Patricia:Disagreements
When we were discussing the code as a group we generally agreed with a lot of the points that Hays made but there were a few that we either disagreed with the code or disagreed with each other on our views. The first disagreement that we had when we were going down the list was having to make a completely different theater to accommodate the appropriate age level for viewing the film. Hays stated that there needed to be an individual theater for each movie type, whether it be for an adult or youth audience. Some individuals of the group disagreed with this code saying that it was to strict and it wasn’t necessary to have specifically one theater that was allowed to show adult films such as gangster films or movies that had difficult discussions. Other individuals agreed with the code saying that for the time period they really didn’t have another way of enforcing the viewing age. We agreed however that there could have been a different method of enforcing the age limits. They could have had different viewing times for the types of movies instead of completely different buildings. They could have monitored the viewers as they were buying their tickets to the film.The next code that we disagreed with as a whole was the one about films not being able to contain crimes such as being a gangster because it will teach methods of crime. all of us agreed that just by viewing a movie with crime in it is not going to step by step teach an individual how to commit it. Gangster movies to not teach the view how to load and or shoot a semi-automatic gun, nor do they teach a person how to plan out their horrific plots and get away with them. This also brings us to the last code that we disagreed with which was sheltering the public so intensely from realistic events that were going on around them. Drug trafficking was something realistic that was going on around them with the whole prohibition act. We thought that by not allowing these types of things in movies it would make the public naive to what was actually going on around them. We agreed that another way they could have done this was to have those things in movies but to really depict how awful and horrific these crimes are.
Chris: How it relates to Scarface
This section of the code is very applicable to the movie Scarface. Specifically the third element of the “Crimes Against the Law” section. The code reads “The treatment of crimes against the law must not: . . . make criminals seem heroic or justified.” The Hays office was very worried that the original ending of Scarface would glorify, or “hero-ify,” Tony. This would have been a direct contradiction of the code. Even after the first filmed ending of the movie, the Hays office felt it still glorified Tony. This is why they forced a third ending, one that showed a much more unheroic version of Camonte.Scarface still shows a myriad of “sins which often attract,” but the released version shows enough weakness and cowardice in Tony that the Hays office lets it pass. The Hays office probably still could have refused to let Scarface pass, based on its presentation of “sins which often attract.” However, the fact that it was allowed to be released, shows that the Hays office didn’t think that the film was THAT controversial in its final version. The fact that the Hays office finally passed the film, shows a great amount of underhanded approval of it. Whether they meant it or not, the Hays office made it clear that they didn’t think Scarface was that bad.
Joshua: MPPDA MPAA
I find it difficult to discuss early film code without comparing it to my notion of the current and modern rating system. The modern rating system, conducted by the Motion Picture Association of America, is based on the age and maturity level appropriate for an audience. In the early 1930’s when motion picture or film was in its infancy a rating system had not yet been thought of. Instead all films were required to be scrutinized by a censorship board, and be given approval or rejected. In the Particular Applications of the Lord-Quigley Code Proposal there are suggestions of such a rating system. However, since the technology was not available at the time Quigley’s solution was more brash.He suggested that morally disputed films be only distributed to certain theaters and only be presented to adult viewers. Those types of films were limited to adults because they are more emotionally developed; mature. This could be called a precursor for the modern ratings system. The idea being that obscene films are limited to adult audience; the modern equvilant rating known as Restricted(R). The code implies that all audiences could see acceptable films. Today a rating of lesser degree is given for such films; General audiences(G). However, today specific theaters are created for particular forms of film, so Quigley’s code does still live with us in modern day film industry. We know it as the Rating system.